First Thoughts on the Last Jedi
==SPOILERS AHEAD!!!==
This is my reaction after just having seen The Last Jedi at the theater. If you haven’t seen the film then stop reading because spoilers and also I’m making reference to events in the film without explaining them to the point of view of someone who hasn’t seen the film.
Well, long story short, or perhaps I should say, long story excessively long, a big disappointment.
Going in to the film, I wanted to know who is Rey? Who is Snoke? What happened to Ahsoka, Kanan, and Space Aladdin aka Ezra? What is in the ancient books of the Jedi? How does Leia die (hopefully heroically)? Why is it time for the Jedi to end?
Are those crystal wolf things Loth-Wolves? Did Han survive his Disney death in the shaft?
And most of all, I wanted to see Luke kick some ass. And smarmy emo Adam Driver handed his.
Well if you were looking forward to any of those things, rest assured, none of those things are in this movie. None of them. For this manufactured committee-made story-line the awesome Clone Wars and Rebels and their bespoke characters were/are being terminated, why?
Kathleen Kennedy, you’re no George Lucas or Dave Filoni. And Rian Johnson, you’re no Lawrence Kasdan. Looking forward to the last half of the last season of Rebels, otherwise, I think that Kennedy, Abrams &co have just about driven this franchise over the shark as has happened to poor old Star Trek. Did anyone say “spore drive?”
Anyway, the Force went back to sleep, and nobody cared. There was zero audience interaction at the packed theatre. When I saw Thor Ragnarök and Rogue 1 at the same venue (AMD 12 Assembly Row Somerville, MA USA) , the crowd was very engaged, laughing, snarking cheering, and crying in the case of Rogue 1. Not so here, more’s the pity. 2 of 5 stars.
Copyright © 2017 Henry Edward Hardy
This! IS! THEMISCIRA!!!
Spoilers ahead.
I enjoyed Wonder Woman. I found it rather predictable and it is a linear story with a foreordained conclusion.
However, there were a few averted tropes there. WW’s mother turns out to be a reasonable authority figure who understands that her daughter must go to “man’s world” to stop the scourge of war brought upon mankind by Ares. However, true to the original story, she then tells Diana she can never return if she leaves. Curiously, when she ponders sending all the Amazons, one of the reasons she mentions for not doing this isn’t “and we could never return.” Since Diana is not disobeying her mother’s commands by leaving, then exactly what is she banished for?
Cinematographicly, Wonder Woman has a lot in common with another feminist folktale, Fury Road. The oversaturated orange and blue coloration, and the persistent use of over and under-cranking the speed of action shots is characteristic of both movies, and seldom seen elsewhere. Similarly in the action scenes it was much like an estrogen-powered version of 300.
Finally, although shifted to WWI, it is difficult to overlook the many similarities of Wonder Woman with the first Captain America movie. Supersoldier/demigoddess and fish out of water in a red, white and blue uniform fights a German Big Bad whose sidekick is a renegade German scientist with a severe facial disfigurement in the midst of a World War.
The movie is carried by deft writing which neither quite falls over into camp nor takes itself too seriously. There is some real romantic tension between WW and her companion/love interest/designated rescuee, Steve Trevor, enough to make his Captain-America-like ultimate fate really sad and distressing.
Overall, a quickly passing and pleasant diversion, and fun to see in the theater and share the laughs with the audience.
Copyright © 2017 Henry Edward Hardy
Reflections on the first Ghost in the Shell Trailer
Here are some actual issues to be concerned with in the new trailer of Ghost in the Shell:
* The Major doesn’t need a traditional origin story along the line of “the government stole my identity and made me a super soldier cyborg.” This is a way overdone trope and it misses the essential nature of the Major’s identity issues in the manga, movies and the series. What holds the Major back in her evolution is is not, not knowing who she was, it is clinging to material items like her watch which serve as tangible confirmation of our identity and that our memories are real, not a dream or illusion or a memory edit or hostile program.
* Bateau seems miscast. He is supposed to be a laid back, beer drinking, basset hound loving, weight lifting ex-US special forces operator. Seems like here the character has been “Danewashed.”
* An important point in the representation of the world of Ghost in the Shell is that cyberization is becoming common and the Net is becoming universal and starting to evolve in it new forms of consciousness and life. Having Motoko as “the first of your kind” is again, recycling a tired old trope which isn’t needed here.
* “Major” is an orphan appellation in this movie. It is used as though it is a first name, which in the manga, movies and TV series is not the case. There, she is called “Major” because she was a special forces operative, a Major in the JSDF and UN forces in Central America before she was recruited for Section 9. But because they have latched on to the “they stole your life” formula, they have lost the more interesting origin story of Motoko losing her parents, her body, her memories, everything in a plane crash when she was six. And they have lost the very touching backstory of her relationship with Kuze and the one hand folding paper cranes by which they recognize each other again.
Part of the confusion in the “whitewashing” issue is that Little Englanders and USians who are not familiar with the franchise assuming “Motoko Kusanagi” is her given name, whereas in English it would be like naming a character something like “Jane Doe Excalibur” and should be seen as an obvious code name, callsign, handle or pseudonym and not as a given name. So they shouldn’t shy away from using it.
Simply “looking awesome” and “looking like the source material” does not necessarily a good movie make. Witness “Warcraft.”
So count me encouraged but dubious about this trailer and film. On the plus side it looks gorgeous and we can at least enjoy the world building and watching a smirky naked badass Scarlett Johannson kicking ass. Which can’t be all bad.
Copyright © 2016 Henry Edward Hardy
Force Awakens is a snide parody of Star Wars
“The Force Awakens” is another snide Abrams parody and deconstruction of a beloved science fiction classic. Here’s why.
There is this terrible inversion of the moral and ethical underpinnings of Lucas’ shared universe.
Love doesn’t redeem. The force doesn’t protect the (mostly) innocent. Han doesn’t shoot first when necessary. Family ties are not stronger than the lure of power.
I think Abrams likes to destroy the tropes and ethics of the works he is mocking. Look at what happened to the dear old Enterprise in Abrams’ parody of Star Trek.
Enterprise NCC 1701 could go mano-a-mano with the world-eating doomsday machine in TOS but in Abrams it is disgracefully beat to shit by another Star Fleet vessel without even being able to fire a shot.
The most generous interpretation of this is that Abrams loves to use the cheap trope of the “Worf effect.”
“This monster/baddy is really terrible, see it beat the crap out of Worf.”
The ungenerous interpretation is that Abrams likes to make little kids and fans cry.
As the kid sitting in front of me at the Force Awakens premiere said, “I didn’t like to watch it because evil won.”
I like the idea of a storm trooper character and of course he would be conflicted and confused. But there is a right way and a wrong way to invoke this. The right way is in The Clone Wars, where the Clone Troopers (not Storm Troopers) despite being a clone army, are fully individuated and several like Rex particularly have become such fan favorites that they have been resuscitated for Rebels.
We literally got no backstory and no characterization for any of these Force Awakens characters other than stock tropes. Orphan–virgin birth–desert planet. Storm trooper–cowardly–can’t shoot straight. Supreme leader–inhuman and scary, appears in holo-images. The leader’s second — Cyborg==black armor==fallen Jedi, etc. That is so lazy.
Rey is a major Mary Sue by any definition, to a ridiculous and suspension of disbelief breaking degree. And actually, no that’s not okay. It means the script is operating at the level of the most self-servicing and badly written fan fiction.
Luke didn’t just magically learn to be an ace pilot without ever having flown before. Luke trained with two old Masters, Obi-Wan and Yoda. And it was a major plot point when he went tearing off before his training was complete and promptly got his ass handed to him and his hand chopped off.
Contrast Ahsoka Tano, who made major mistakes and lost the better part of two squadrons of fighters and almost lost an entire battalion of soldiers in her first commands before she gained more experience and learned to bridle her aggressive tendencies. In The Clone Wars Season I.
Star Wars The Clone War – Storm over Ryloth (The first attack)
I’m sorry but the the action scenes in Force Awakens are horrible, only better than a mediocre fan film or kids playing Star Wars in the back yard due to better production values. Truly embarrassing. Okay Rey has probably never used a light saber so that’s excusable. But Kylo Ren is supposed to be the head of the Evil neo-Sith/Dark Jedi Knights, who trained with Luke Skywalker and Supreme Leader Snoke? What an emo shlub!
The following a good light saber battle. Imagine if this was the trailer for the new Star Wars movie how much cooler it would be than the Abrams parody:
There’s more character development, drama, suspense, action, plot advancement and general badassery there in six minutes than in any 3 hour Abrams sludgefest.
Or a more recent example from Rebels a few weeks ago:
Inquisitors vs. Ahsoka & Kanan ᴴᴰ
Ahsoka Tano is Anakin’s former apprentice in both old and new continuity. This is her Big Damn Heroes/The Cavalry moment as we haven’t seen her in action since she left Anakin and the Jedi Order at the end of season 5 of The Clone Wars. 16 years ago in-universe time.
I’m not trope averse, I just don’t like to see them mishandled or misused.
Another negative regarding Force Awakens is the presence of the Jar-Jar expy, Finn. The prequel movies are rather derivative of the original trilogy, and Force Awakens is completely unapologetic in strip mining the tropes from the real Star Wars films.
Although the character elements have been tossed a bit we can still clearly see trope-wise, or structural analysis-wise:
FA/Original trilogy/Prequels
Rey = Luke (ground) = Anakin
Finn = C3PO = Jar-Jar
BB8 = R2D2 = R2D2
Poe Dameron = Luke (air) = Anakin
Luke = Yoda = Yoda
Mas kanata = Obi-Wan = Qui Gon Jinn
Kylo Ren = Darth Vader = General Grievous
Snoke = The Emperor = Count Dooku
I’ve read a number of articles praising the new Star Wars parody by JJ Abrams as, “inclusive” or words to that effect. Really? There is one count ’em one, black or brown face among the characters.
My issue is not with John Boyega’s portrayal of the character. He has done a good enough job with the material he was given.
However, Boyega’s character, “Finn”, shares a number of tropes and characteristics with Jar-Jar Binks, the much-derided alien from the prequel movies.
Here are some specific points of similarity between Finn and the dark-skinned alien with big lips and a faux-Carribean patois:
Cowardly? Check.
Clumsy? Check.
Fails at everything he attempts? Check.
Treated as comic relief? Check.
Lies to the other characters? Check.
Abrams has even added an old trope new to Star Wars. What’s Finn do when he finds the protagonist, Rey? As soon as the Empire arrives and they flee, he grabs Rey’s hand, twice. She even explicitly tells him not to do that, which puts this into the squicky realm of harassment.
Your Star Wars dollar is far better spent watching the old movies, even the prequels, or the excellent “The Clone Wars” or the almost-excellent “Star Wars Rebels” than this dreck.
Copyright © 2015 Henry Edward Hardy
Thoughts on the TV show Vikings
Copyright © 2015 Henry Edward Hardy