Scanlyze

The Online Journal of Insight, Satire, Desire, Wit and Observation

This! IS! THEMISCIRA!!!

Spoilers ahead.

I enjoyed Wonder Woman. I found it rather predictable and it is a linear story with a for-ordained conclusion.

However, there were a few averted tropes there. WW’s mother turns out to be a reasonable authority figure who understands that her daughter must go to “man’s world” to stop the scourge of war brought upon mankind by Ares. However, true to the original story, she then tells Diana she can never return if she leaves. Curiously, when she ponders sending all the Amazons, one of the reasons she mentions for not doing this isn’t “and we could never return.” Since Diana is not disobeying her mother’s commands by leaving, then exactly what is she banished for?

Cinematographicly, Wonder Woman has a lot in common with another feminist folktale, Fury Road. The oversaturated orange and blue coloration, and the persistent use of over and under-cranking the speed of action shots is characteristic of both movies, and seldom seen elsewhere. Similarly in the action scenes it was much like an estrogen-powered version of 300.

Finally, although shifted to WWI, it is difficult to overlook the many similarities of Wonder Woman with the first Captain America movie. Supersoldier/demigodess and fish out of water in a red, white and blue uniform fights a German Big Bad whose sidekick is a renegade German scientist with a severe facial disfigurement in the midst of a World War.

The movie is carried by deft writing which neither quite falls over into camp nor takes itself too seriously. There is some real romantic tension between WW and her companion/love interest/designated rescuee, Steve Trevor, enough to make his Captain-America-like ultimate fate really sad and distressing.

Overall, a quickly passing and pleasant diversion, and fun to see in the theater and share the laughs with the audience.

Copyright © 2017 Henry Edward Hardy

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24 June, 2017 - Posted by | movie, review, scanlyze, Wonder Woman | , , ,

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