Scanlyze

‘Children of Men’ is a Thoughtful, Provocative Science Fiction Drama

‘Children of Men’ is a Thoughtful, Provocative Science Fiction Drama

Children of Men
Universal Studios, 2007 (Widescreen Edition)

by Henry Edward Hardy

Children of Men is a brutal and provocative vision of modern society stressed beyond its breaking point. It is 2027, and no children have been born for 18 years. Theo Faron (Clive Owen) is a civil servant and former radical now working for the totalitarian civil administration in Britain. Theo is played with shell-shocked stupor by Owen. Theo fails to react visibly as a nearby shop blows up and a woman runs out screaming, holding the remains of her arm in her remaining hand. Owen’s best friend is broadly portrayed by Michael Caine, who channels John Lennon in his character of aging hippie “Jasper”.

Theo’s life of quiet desperation is shattered when his ex-wife-turned revolutionary, Julian (played by Julianne Moore), has him kidnapped and bribes him to assist in smuggling a young woman out of the country. Britain stands alone as much of the world descends into terrorism and anarchy–but it is a future Britain with much in common with dystopian novels such as George Orwell’s 1984.

Children of Men has much of the immediacy of a hand-held camera or a first-person view. A six minute sequence, apparently filmed continuously, represents the harshest and most realistic-appearing combat footage in cinema since Saving Private Ryan. The computer effects are undetectable; everything looks harshly, painfully real.

Children of Men is full of eclectic references, from Pink Floyd’s Animals to Banksey to Picasso to The Godfather to TS Elliot. When Theo and his companions enter a immigrant detention facility, one man in a metal cage stands in the Christ-like pose of the hooded man from the infamous Abu Ghraib photos. They are inducted to the detention facility through a metal series of aisles like a cattle corral over which hangs a sign reading “Homeland Security”.

Children of Men can be viewed as a futuristic road movie, a dystopian science fiction parable, or as a harsh and stinging attack on the repressive anti-terrorist and anti-immigrant policies of today. It is refreshing to see an action scene in which the hero or anti-hero doesn’t pick up a gun or use violence to resolve the situation. Director Alfonso Cuarón has produced a cataclysmic tour-de-force worthy of consideration and repeated viewing.

Copyright © 2007 Henry Edward Hardy

A version of this review was previously published by Current.

5 September, 2007 Posted by scanlyze | 1984, Alfonso Cuarón, Britain, Children of Men, Clive Owen, dictatorship, dystopia, George Orwell, immigration, Julianne Moore, media, Michael Caine, movie, movies, Orwell, repression, review, scanlyze, science fiction, terrorism, UK, video | 4 Comments